List of Articles in Issue Vol 47 no 3, August 2025

Vol 47 no 3, August 2025
President’s update
By Colin Thomas    |   August 2025   |    Vol 47 no 3

Thank you to members who provided feedback on the proposed changes toour national tour registration procedures, detailed in May Australiana. Many members advised that they understood the constraints of having limited places on these much sought-after tours, mostly of private h...

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Vol 47 no 3, August 2025
Ada Whiting miniatures
By Rod Tuson    |   August 2025   |    Vol 47 no 3

Unusually for an artist, Ada Whitingnee Cherry (1859 –1953) was a celebrated success in her lifetime.1In 1900, the first time she submitted a portrait miniature to the Royal Academy in London, it was hung ‘onthe line’ – a small work needs to be exhibited at eye level. Remarkable for a‘colonial’, a f...

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Vol 47 no 3, August 2025
Thomas Rice’s Sampler, Lyndoch Valley, South Australia
By Nicola Kissane    |   August 2025   |    Vol 47 no 3

Embroidered samplers worked in various stitches by girls or young women to demonstrate their needlework skills. Typically, samplers include the alphabet, some mottoes, and simple pictures and patterns, often with the maker’s name and the date.This mid-Victorian sampler is a tribute to Thomas Rice (1808–1887...

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Vol 47 no 3, August 2025
The Orrong Pottery and Journeyman Potters
By Gregory Hill    |   August 2025   |    Vol 47 no 3

The Orrong Pottery operated for just four years, from 1880 to 1884, in Melbourne’s eastern suburb of Prahran, and under several names. It produced bricks and sewer pipes, as well as employing several prominent, Staffordshire-trained journeyman potters to introduce a range of domestic pottery to compete with w...

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Vol 47 no 3, August 2025
The ‘Meat in The Sandwich’ between Boom and Bust: James Clarke Waite’s 'The Saltwater River', 1896
By Sam Nichols    |   August 2025   |    Vol 47 no 3

A chance online encounter with an arresting 19th-century oil painting depicting a scene of forlorn industry on the banks of the Saltwater River, executed by one of Australia’s foremost portrait painters of the Victorian period, and its offering in a Hobart auction may have misled some to assume it depicted a ...

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Vol 47 no 3, August 2025
Ernest Jardine Thwaites: pioneer cinematographer and inventor
By Robert La Nauze    |   August 2025   |    Vol 47 no 3

Rob La Nauze highlights his research into the cinematic achievements of Ernest Jardine Thwaites (1873–1933) that identified 16 short films Thwaites made, 18 films attributed to Thwaites, and seven other films that Thwaites possibly made in Victoria.Yet his notable pioneering achievements in film spanned only ...

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Vol 47 no 3, August 2025
A Japanese artist in Australia: Jonoski Takuma and his family
By Lindsay Harris    |   August 2025   |    Vol 47 no 3

Jonoski Takuma, a young, missionary-educated Japanese man, arrived in Australia in 1888 and within a few years began engraving emu eggs depicting Australian scenes. Reflecting his Japanese cultural heritage, these delicately carved eggs,along with postcards and a children’s book, embody a fusion of Japanese a...

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Vol 47 no 3, August 2025
Going Potty
By R A Fredman    |   August 2025   |    Vol 47 no 3

Collector Bob Fredman relates a recent project – identifying, cleaning and restoring a nondescript terracotta garden urn,covered in house paint, with links to Brisbane and the early European settlers of the Sunshine Coast hinterland.

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Vol 47 no 3, August 2025
Book Review: Ken Orchard, James Ashton
By Peter Lane    |   August 2025   |    Vol 47 no 3

Ken Orchard, James Ashton,Artist of the Fleurieu Coast.Royal South Australian Society ofArts, Adelaide 2025. Soft cover,95 pages 29 x 21 cm. Exhibitioncatalogue, all paintings and objectsillustrated, chronology, bibliography.$30, available only at the RSASA,Institute...

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Vol 47 no 3, August 2025
Phyllis Murphy 1924–2025
By Jock Murphy    |   August 2025   |    Vol 47 no 3

Dr Phyllis Murphy AM, a long-time member of the Australiana Society, died in May, just a few weeks short of her 101st birthday. Born Phyllis Slater in Melbourne in 1924,Phyllis developed a strong interest in buildings and design from an early age. Her son Jock Murphy records her architectural work and her ...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.